Round Table Knights - Coloursound Podcast 003
In a land that has no ego and a table that has no head, Round Table Knights are constantly pushing their talents as DJs and Producers to the limits and evolving with the output. Hailing from Bern, Switzerland Round Table Knights were originally a four man scratch DJ collective with a penchant for hip-hop, rock, electro and jazz.
“We fell in love with House Music because it’s a very wide and open kind of music, you can put whatever influences in there. If you do it with your own style and with taste it’s a very good thing”
Following a stellar EP on Deadfish, 2010 saw their first EP for Made to Play get signed on the spot by Jesse Rose and go on to become one of the catchiest outputs to date, with support from everyone from Luciano to Annie Mac in her Glastonbury set. The resulting avalanche of productivity and popularity snowballed further with ‘Cut To The Top’ featuring the legendary Swiss garage-rock legend Reverend Beat-Man on vocals and combining elements of garage, blues and of course their irrefutable house beats.
Stacey Pullen - Coloursound Podcast 002
Stacey Pullen is an innovator from the second wave of Detroit techno; he grew up under the mentorship of Detroit’s legendary three: Derrick May, Juan Atkins and Kevin Saunderson. Still continuing to produce his characteristic atmosphere laden electronic sound, Stacey Pullen compounds his reputation as a producer with that of being one of the world’s most in demand DJs. Above all, from his earliest attempts to the current day Stacey Pullen has stayed true to his one goal: to become and to always be an Innovator.
Since she began DJing and producing in 1999, Maayan has racked up an impressive discography. As Miss Fitz, she has released EPs on Raum…musik, Freak n’ Chic, Contexterrior and Circus Company; she also travels in disguise as Laverne Radix, with singles for Oslo’s Love Letters from Oslo and for Raum. March 2009 also marks the release of Maayan’s debut release under her own name: “Night Long” (on Japanese label PowerShovel), an intimate album woven together out of recordings of Cuba’s best contemporary instrumentalists that later on that year was followed by an EP on the ever changing Perlon.
